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Re: Would Buffy quit?
--- In buffywantswillow@xxxxxxxxxxxxxxx, "ivygort" <ivygort@v...>
wrote:
> As much as Faith was supposed to be her dark mirror she really
didn't
start the hunting aspect of her personality until after the
spell. I felt
Faith/Mayor were the mirror to Buffy/Giles. That it was about
what happens
when you didn't have the love and the support of family and
friends. There
was only one scene in the entire season where Buffy acted without
forethought and that was at the docks when she confronted Faith.
In the
season five opener it is pointed out that since the spell she's
gone out
hunting. That's why I use it as the demarcation point for the
change in
her.
It was always there, it just got to a point where she couldn't
ignore or try to deny it, any more. There's a reason Faith got
under her skin so much, why she kept sympathising and
overidentifying with the dark Slayer, even in This Year's Girl
(besides the sex thing).
>She started wondering that after the death of her mother in
season five.
The entire vision quest to the First Slayer and the words, (I've
forgotten
them exactly) Give, forgive, love, you are full love. And she did
wonder at
that time if she was girlfriend material until "I Was Made To Love
You" when
she finally accepted that it wasn't her fault all her boyfriends
left, it
was theirs. The entire scene with Xander and then her call to Ben
proved
that in my eyes. Though, that was easily over looked considering
the next
episode was the body.
But then we got to S6, and Spike. And, in S7, Conversations With
Dead People.
>Never once in Season Six did she act like the hunter or predator,
she acted
like the victim.
Spike could argue that.
Her depression, her self-centeredness, while she had a
great a reason for it all, she wasn't a Slayer. At no time in
season six
did I feel like she was accepting of her responsibility as a
Slayer. It
just seemed like one more burden.
She was going heavily on instinct, that year, just letting her
senses and instincts and passions make the decisions. It got to a
point where the idea that she'd come back "wrong" was comforting, to
her. Like with Faith, earlier, there's a reason Spike was able to
get to her like that. What ended up being shattering was learning
that she didn't come back wrong, after all, this was just her. And,
since she learned it from the always loving, completely empathic and
understanding Tara, who wouldn't judge her, she couldn't have her
self-loathing reinforced, like she would have with a certain couple
of other people...
TARA: I-I've double checked everything. (smiling) There's nothing
wrong with you.
BUFFY: Then why can Spike hurt me?
TARA: Well, I said that there was nothing wrong with you, but ...
you are different. Shifting you out of ... f-f-from where you
were ... funneling your essence back into your body ... i-it, it
altered you on a basic molecular level. Probably just enough to
confuse the sensors or whatever in Spike's chip. But it's all just
surfacey physical stuff. It wouldn't have any more effect than ... a
bad sunburn.
Buffy looks close to tears as she contemplates this.
BUFFY: I didn't come back wrong?
TARA: No, you're the same Buffy. (lightly) With a deep tropical
cellular tan.
BUFFY: You must have missed something. Will you check again?
TARA: (concerned) Buffy, I-I promise, there's nothing wrong with you.
BUFFY: There has to be! This just can't be me, it isn't me.
(starting to cry) Why do I feel like this? Why do I let Spike do
those things to me?
TARA: You mean hit you.
Buffy meets Tara's eyes, but only for a moment, then looks away.
Tara frowns as she begins to get it.
TARA: Oh.
Longer shot of the two of them. Tara rubs her knees nervously.
TARA: Oh, huh. Really.
BUFFY: He's everything I hate. He's everything that ... I'm supposed
to be against. But the only time that I ever feel anything is
when ... Don't tell anyone, please.
TARA: I won't.
BUFFY: (crying) The way they would look at me ... I just couldn't...
TARA: I won't tell anyone. I wouldn't do that.
BUFFY: (whispers) Why can't I stop? Why do I keep letting him in?
TARA: (concerned) Do you love him?
Buffy just stares at her tearfully.
TARA: I-It's okay if you do. He's done a lot of good, and, and he
does love you. A-and Buffy, it's okay if you don't. You're going
through a really hard time, and you're...
BUFFY: (still tearful) What? Using him? What's okay about that?
TARA: It's not that simple.
BUFFY: It is! It's wrong. I'm wrong. Tell me that I'm wrong,
please...
Buffy starts to cry for real now.
BUFFY: Please don't forgive me, please... (sobbing) Please don't...
She slides off the table onto the floor, kneeling, putting her head
in Tara's lap. Tara looks uncertain, puts her hands comfortingly on
Buffy's head.
BUFFY: (sobbing, muffled) Please don't forgive me...
Tara strokes her hair gently as she continues crying.
>I didn't see her growing at all in the final season. I saw her
falling
back into old bad habits. Keeping her thoughts to herself,
shutting her
friends out of the choices, being single minded ... but then again
the last
two year had the writers feuding on which way the story should go
so the
story was very inconsistent. As I said earlier I truely believe
that there
is no "right" answer to this question.
It was always Joss writing the big episodes, though, and guiding the
rest. Buffy's S7 journey was Joss's, based on the things HE had to
learn to be able to run the company. The main conflict within the
group was that Buffy had grown into THE leader, and the rest of the
group (except for Spike, though Tara would have backed her all the
way if she'd been around) had issues with that, and there was the
added problem of Kennedy constantly egging any tension anyone had
with Buffy on. But then, Kennedy had her own agenda, didn't she?
At least, with Season 6 Spike, he didn't have a soul. What was
Kennedy's excuse?
So, sure, Buffy wanted to do more for Dawn, show her the world.
That didn't mean she was abandoning her responsibilities. She just
planned to do both. Now, she can.
(>On a side note. I couldn't answer your other post because of
the mention
of Angel. I don't watch Angel.)
Ah... Well, in Damage, we learned what the old gang was up to, and
that Angel never told Wes about all the Potentials being activated
(though HE clearly knew). The secret was blown due to finding a
former Potential, now Slayer, who escaped from a psych ward. This
led to Andrew's arrival...
ANGEL
Could we save memory lane till after we contain this psychotic
superpowered
killing machine?
(walks around the table, takes a seat beside Wesley)
WESLEY
(standing)
We were just about to bring everyone up to speed on slayer
mythology.
ANDREW
I'll take it from here, Pryce. Best they hear it from an expert.
SPIKE
Oh, right. Let the top man have a go.
WESLEY
(stifling a scoff, pauses, then sits)
Please... enlighten us.
ANDREW
Gather around and attend to a most unusual tale... a tale I like to
call... The Slayer of the Vampyrs.
(rests his chin on his hands, pauses for thought, then clears
throat)
(walking around the table)
Eons ago,
(looks at Gunn)
on the dark continent, 3 wise elders decided to fight evil with a
taste of its own sinistro.
(touches Fred's shoulders)
They took a young girl, and they imbued her with the power of a
demon.
(crooks his forefingers above Fred's head, forming makeshift horns)
Thusly, the first Slayer of the Vampyrs was born. But alas, the
existence
of a slayer is often brutal and short-lived. And the "primitive,"
as she was called, boasted no exception. But... the elders had
foreseen
this inevitability and...and devised a way for her power to live on.
FRED
In every generation, one is chosen.
ANDREW
Yes, attractive, slender woman.
(Fred rolls her eyes)
There are many potentials, as we experts call them.
WESLEY
Hundreds...maybe thousands per generation.
ANDREW
Each of them experiencing vivid dreams... some say nightmares... of
the heroics of past slayers. But only one can be chosen.
ANGEL
That's, um...really great, but we...actually know all that.
ANDREW
You think you know, my good man. You think you know.
(lights his pipe, smokes it, coughs)
LORNE
Uh, wait. So if there's only one slayer, what is little miss whack-
your-head-off
doing scampering around?
SPIKE
Little Sunnydale surprise.
ANDREW
(sits)
6 months ago, Buffy, Vampyr Slayer extraordinaire, had her lesbian
witch make with the beaucoup de magie. One light show later...
ANGEL
All the potentials become slayers.
WESLEY
An army of slayers. Brilliant stratagem. But with the watchers
council
destroyed, how will these new slayers receive their necessary
ANDREW
Mr. Giles and a few key Sunnydale alum have been tracking down the
recently chosen...
(reaches down to grab his brow-bag lunch; it's labeled with the
British
"Union Jack" flag and written under it is "ANDREW WC")
uh, guiding them, training them...
(takes a Zip-Loc baggie of goldfish crackers out of the bag and
starts
to eat them)
giving them the full X-Men, minus the crappy third act. But this
Dana
girlshe's an anomaly that no one could have foreseentortured,
traumatized... driven insane by Yoda knows who.
ANGEL
And then the dreams of demons and superpowers she's always had
suddenly
become real.
WESLEY
The dreams of slayers are usually just thatdreams. But Dana's
mental instability may be making them seem more real.
ANDREW
My hypothesis exactly, Pryce.
(takes a small red notebook out of his breast pocket)
I see Mr. Giles may have been wrong about you.
(nods, writes in his notebook)
We go on to learn where Buffy is...
Spike sniffs the air.
ANDREW
(inhales deeply, exhales quickly)
What's it smell like? Blood, I mean?
SPIKE
Oh...metallic, sorta. You ever taste a penny?
ANDREW
No. Wait... no.
SPIKE
Smells like that.
(Andrew spots a penny on the ground and picks it up; they continue
walking)
So, uh...you heard from Buffy lately?
ANDREW
Yeah. Of course, uh...she's in Rome. Dawn's in school there. Italian
school.
SPIKE
Well. Rome, eh? Never pegged her for the expatriate show.
ANDREW
Yeah. She was rounding slayers up in Europe, decided she liked it
there, I guess. You think that, um...
(puts the penny in his mouth)
uhh. Uhh. Uhh.
(disgusted, he spits the penny out; it falls to the ground)
Think she needed a break from California. Wait a minute. She doesn't
know you're alive, does she?
SPIKE
I don't think so. I mean... I don't know. Does she?
ANDREW
No. N-no. She can't. I mean... II would've heard about it. We
would've had a conference call.
(Spike sighs)
Why haven't you told her?
SPIKE
"Hello, Buffy. It's Spike. I didn't burn up like you thought.
How are things?"
ANDREW
Uh...do you want me to tell her? 'Cause II'm really good with
those...uh, delicate personal
SPIKE
No. Don't tell her. I'll take care of it.
ANDREW
Got it. You're a loner... playin' it cucumber, as in "cool as
a..."
SPIKE
Just keep your mouth shut.
Pan up to show that Dana is watching them walk by from a nearby
rooftop.
ANDREW
No problem, brother. You're a troubled hero. Creature of the night.
El creatro del noche.
SPIKE
Please stop.
ANDREW
Living by his own rules. Unafraid of anything or anyone...
Eventually, after torturing Spike, a tranq gun subdues Dana. Angel
figured he'd take charge of her, but, it seems, the Council isn't
about to leave any Slayer with Wolfram & Hart, and the person in
charge of things there planned accordingly...
Angel and Wesley escort Dana's gurney out of the basement along with
a group of armed guards.
ANGEL
Chain her into the van. I want armed guards ridin' with her in the
back.
ANDREW
That's all right, boys. I'll take it from here.
ANGEL
What?
ANDREW
Totally 'preciate your help on this one, big guy. Never could've
found
her without you, but you got enough problems of your own to worry
about.
ANGEL
Get outta the way, Andrew.
ANDREW
(steps in Angel's path)
She's a slayer. That means she's ours.
ANGEL
Yeah. Sorry. Not how it works.
(to the guards) Load her up. Don't hesitate to tranq her if she so
much as
ANDREW
(stands right up in Angel's face)
No. I don't think you... heard me, Angel.
(a group of young women walks out from the shadows to back up
Andrew)
Think we're just gonna let you take her back to your evil
stronghold?
Well, as they say in Mexico... No. We're not...gonna... let you.
ANGEL
She's psychotic, and I'm not turning her over...to you.
ANDREW
You don't have a choice. Check the view screen, Uhura. I got 12
Vampyr
Slayers behind me, and not one of them has ever dated you. She's
coming
with us one way or another.
ANGEL
You're way outta your league. I'll just clear this with Buffy.
ANDREW
Where do you think my orders came from?
Angel, of course, is pretty upset that his ex double crossed him.
Spike thought it was cool, though.
E
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Willow: "It's a good fight, Buffy, and I want in."
Buffy: "I kinda love you."
'Choices'
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